This blog post will walk you through: vitamin p2 book.
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The first volume of Vitamin P, published in 2002, inaugurated a vibrant period for painting. Since its publication, a whole new generation of painters has emerged, some inspired by the artists who appeared in that book, others taking cues from new sources. Vitamin P2 introduces this new wave of painters to the world.
All of the artists in Vitamin P2 have recently emerged onto the international scene, and none appeared in the first Vitamin P.
An introduction by Barry Schwabsky, who also wrote the introduction for Vitamin P, provides a broad overview of recent developments in the medium while also looking towards its futur.
Master Of The Eclipse
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View of the best new contemporary painting from around the world. Since its publication, a whole new generation of painters has emerged, some inspired by the artists who appeared in that book, others taking cues from new sources.
Since its publication, a whole new generation of painters has emerged, some inspired by the artists who appeared in that book, others taking cues from new sources. Vitamin P2 introduces this new wave of painters to the world. The vast medium of painting continues to be a central pillar of artistic practice, and Vitamin P2 presents the outstanding artists who are currently engaging with and pushing the boundaries of the medium.
Over 80 international critics, artists and curators have nominated the 115 artists who have made a fresh, unique or innovative contribution to recent painting. All of the artists in Vitamin P2 have recently emerged onto the international scene, and none appeared in the first Vitamin P.
An introduction by Barry Schwabsky, who also wrote the introduction for Vitamin P, provides a broad overview of recent developments in the medium while also looking towards its futur.
Ratings & Reviews
London: Phaidon, 2002.
Isbn: 0714844462. But one thing is certain: not since Marcel Duchamp famously abandoned painting has there been any question of its use as a proving ground—as the genre against which all other forms, old and new, are judged. In my experience, labels are about judgment, and judgment in art is about the formation of taste.
The reason that formally innovative work is so often dismissed absent any real critical scrutiny is because the old rules of judgment do not apply. His inability to fashion any evaluative criteria lead to a glib dismissal. He says that’s not art because he can’t explain what makes it good or bad.
But maybe the true measure of a genre’s durability depends on its ability to encourage innovation and still remain discrete as an area of practice. In this book, Schwabsky convenes 114 painters, ranging in age from early twenties to early fifties, whose styles constitute an astonishingly broad survey of current techniques and procedures. Vitamin P places Fabian Marcaccio’s fabric-infused abstraction alongside Michael Lin’s floral interiors and argues for the work of both with equal vigor.
-Originally published in the October 2008 issue of Chicago Artists’ New.